The NLS music collection, authorized by Congress in 1962, includes braille and large-print musical scores, recorded instructional materials, and recorded materials about music and musicians. All materials are circulated postage free, and some digital audio and ebraille materials are available for download over the Internet.
Visit the NLS website for more information.
Autograph Score: A manuscript written in the handwriting of the composer (as opposed to a copyist's hand).
Critical Edition (Sometimes called Scholarly Edition): This edition is edited by one or more expert authorities. These expert authorities are typically scholars associated with a university but they may also be independent scholars. Their area of expertise is typically on that composer, the musical time period, or both.
The goal of a critical edition is to represent the composer's original intentions as closely as possible. This is achieved through close study of manuscripts, autograph scores, first editions, related correspondence, and sometimes first hand accounts of early performances.
Performing or Practical Edition: These editions are intended for use by performers. While they may be based on a critical edition, they may also have additional bowings, breath marks, pedaling, and other performance marks provided by editors. Editors of performance scores are typically well-known performers of that instrument.
Facsimile Edition: This is a duplication of the manuscript score. In some cases, these are exceedingly high quality and seek to replicate the original all the way down to paper shape and binding. In other cases, they are quality photocopies of scores that haven't been typeset; this is increasingly common for contemporary works.
Mini Score, Miniature Score, Pocket Score: These are three ways to refer to the same type of score. They're small size makes them easy to carry and transport around. Print size is reduced to make it possible.
Full Score: This type includes all the parts written out in full and in their original instrumentation.
Reduction: This type of score takes many instruments and reduces them into one or two instruments. For example, an opera or musical is often reduced to voice with piano; an orchestral work is often reduced to piano four-hands (2 pianos).
Piano-Vocal Score: This is a type of reduction used for arias excerpted from operas as well as musical theatre sets. The vocal line is the main voice part while all the other instruments have been reduced to be performed by piano.
Score + Parts: The score shows all the individual voices together, and the parts are used by individual performers. These are typical of ensemble works such as piano trios, quartets, and similar small ensembles, as well as for solo works with piano.
Fakebook: A collection of music from popular Western genres, such as jazz, R&B, and pop music. They typically include the melodic line fully written out with more abbreviated notation for the rest of the instruments. Sometimes they only additional notations are guitar tab and/or the chord names, enable the musicians to learn their parts more easily from ear or improvise.
Lead Sheet: Common to jazz music, these include the main melodic line, lyrics if there are any, and the basic harmonic structure.
In addition to simply browsing the online and physical collections, the resources identified here can be used to surface music that perfectly fits your need.
This short video offers a quick overview of the strengths of each our subscription e-score databases.
Etudes & Exercises: MT405
Methods: MT402
Orchestral studies & Excerpts: MT406
Bassoon & piano, collections (including sonatas, suites, etc.): M253
Bassoon & piano, individual works: M254
Concertos: M1027
Solo pieces: M75-M79
Etudes & Exercises: MT305
Methods: MT302
Orchestral Studies & Excerpts: MT306
Technique (bowing, hand position, chords, harmonics, etc.): MT307-310
Collections for cello & piano: M230
Concertos: M1017
Solo pieces: M50-54
Sonatas: M231
Suites: M232
Etudes & Exercises: MT385
Methods: MT382
Orchestral Studies & Excerpts: MT386-392.4
Clarinet (basset, alto, and bass) & piano collections (including sonatas, suites, etc.): M248-252
Concertos: M1025
Solo Pieces: M70-74
Studies & Exercises: MT330
Methods: MT322
Orchestral Studies & Excerpts: MT320
Collections for bass & piano: M237
Works for bass & piano (including sonatas, suites, etc.): M238
Solo pieces: M55-58
Concertos: M1018
Etudes & Exercises: MT345
Methods: MT342
Orchestral Studies & Excerpts: MT346
Piccolo Etudes & Exercises: MT357
Flute & Piano: M240-244
Concertos: M1021
Solo pieces: M60-64
Etudes & Exercises: MT425
Methods: MT422
Orchestral Studies & Excerpts: MT426
Horn & Piano: M255-259
Concertos: M1029
Solo Pieces: M80-84
Etudes & Exercises: MT585
Methods: MT582
Self-Instruction: MT588
Guitar & Piano: M277
Concertos: M1037.4 .G8
Solo pieces: M125-129
Etudes & Exercises: MT545
Methods: MT542
Orchestral Studies & Excerpts: MT546
Harp & Piano: M273
Concertos: M1036
Solo Pieces: M115-119
Etudes & Exercises: MT365
Methods: MT362
Orchestral Studies & Excerpts: MT366
Oboe & piano collections: M245
Oboe & piano: M246
Concertos: M1023
Solo pieces: M65-69
General studies: MT655
Drums: MT662
Marimba: MT719.3
Timpani: MT660
Percussion & Piano: M285.P4
Xylophone, marimba, or vibraphone & piano: M285.X9
Concertos: M1038
Solo pieces for drums: M146
Solo pieces for xylophone, marimba, or vibraphone: M175.X6
Methods: MT222
Studies & Exercises: MT225-236
Piano solo collections: M20
Solos for piano: M23-25
Piano three hands: M198
Piano four hands: M200
Concertos: M1011
Etudes & Exercises: MT505
Methods: MT502
Orchestral Studies & Excerpts: MT506
Saxophone & Piano: M269
Solo classical & jazz: M105-109
Concertos: M1034.S4
Etudes & Exercises: MT465
Methods: MT462
Orchestral Studies & Excerpts: MT466
Trombone & Piano: M263
Solo Pieces: M90-94
Concertos: M1033
Etudes & Exercises: MT445
Methods: MT442
Orchestral Studies & Excerpts: MT446
Trumpet & Piano: M261
Solo Pieces: M85-89
Concertos: M1031
Etudes & Exercises: MT485
Methods: MT482
Orchestral Studies & Excerpts: MT466
Tuba & Piano: M265
Solo Pieces: M95-99
Concertos: M1034.T8
Etudes & Exercises: MT285
Methods: MT282
Orchestral Studies & Excerpts: MT286
Technique: M287-291
Collections for Viola & Piano: M226-228
Concertos: M1015
Solo Pieces: M45-49
Etudes & Exercises: MT265
Fiddle Methods: MT279.5
Methods: MT262
Technique: MT267-271
Orchestral Studies & Excerpts: MT266
Collections for Violin & Piano: M218
Concertos: M1013
Solo Pieces: M40-44
Sonatas: M219
Suites: M220
Etudes & Exercises: MT885
Methods: MT825
Choral Singing: MT875
Special Techniques: MT855-883
Collections of Arias & Musical Theatre Songs: M1507-1509
Secular duets & trios: M1529
Secular art songs: M1612
Sacred duets & trios: M2019
Sacred songs and arias: M2144
Explore the "So You Want to Sing" series for genre-specific style techniques. Coverage includes musical theatre, jazz, blues, spirituals, chamber music, early music, and more.